Do Thinline Tele® bodies sound as good as solid or chambered?

2023-04-30に共有

コメント (21)
  • @jackp8583
    Appreciate all the effort you put into this!
  • I am a rhythm guitarist playing in a band for pop and rock music, the Thinline is my choice, I have 4of them with varies pickups. My main reason to choose it is the weight, 6lbs 4 oz is hard to beat for this 73 years old man.
  • I know I'm a bit late watching this one, but I recognize just how much effort this takes (times three...), and it means the world to have you answering questions like this because it's exactly what I ponder when considering buying custom parts from you guys. Thank you for this!!
  • I honestly thought A was the Solid. Couldn't believe it wasn't lol. I thought A actually sounded the best over the other two. That volume drop with B over A/C was very noticeable. Great video and comparison.
  • @mattbrown5234
    Honestly the most impressive/useful part of this for me was to see how the body weights change from thinline to chambered to solid. It was honestly a bigger difference than I expected.
  • @narvul
    I think the Tele is by far the most versatile electric guitar regardless of the wood used. You just keep doing what you're doing Aaron!
  • Dang. That's hard core. I love so much that you included the shot of them all sketched out on the same slab. We appreciate some good wood and woodcraft here in Orygone lol
  • @nealixd.3011
    I took both a solid pine body SSH Tele and a Thinline mahogany Tele to a six hours gig. They were both the (made in China) Fender Modern Player Series, but the Thinline had the Seymour Duncan USA P-Rails with single coil, P90 and HB tones from the push/pull pots. Both guitars packed a lot of single coil and HB tones. The solid body simply had a little more volume thump, cut and midrange presence that better cut through or sat better in the mix of vocals, drums, bass guitar, keys/steel guitar, with one player alternating on either the steel guitar or keys, and singing too. He was very talented. The Thinline was more airy and bass-y, and didn't cut through as well, it had more of a scooped midrange. It seemed to be a little less present, more lost in the mix, or didn't sit in the mix as well. Just my experience with those two particular guitars running through a Fender Super Champ XD. I was playing both lead and rhythm guitar parts. The Thinline might have fared better with a little more wattage and a 12" speaker, but the solid body pine carried the day on that gig, at least to my ears. YMMV.
  • The Thin Line model sounded the best in all positions. There wasn't much of a difference between the other 2. As you said most of any difference can be changed by turning the controls on the guitar, the amp or effect pedal. What's the most important to me is the profile of the neck, the radius of the fretboard, the comfort contours of the body, the balance of the guitar and the weight. I have one of your 1972 Thin Line models with 2 Humbuckers that weighs a little under 5 pounds when it was completed. It was given to me buy a very good friend. I won't ever let it go.
  • Aaron - thank you! Almost nobody else does these kinds of comparisons and explanations. Really helpful and interesting stuff.
  • Thanks, Aaron! I've got all three bodies, in swamp ash, as tested. They are all resonant, toneful, soulful. In my opinion, the Warmoth bodies are better than Fender. My '68 body was especially poor quality - it appeared to be pieced together from packing crates. It's five pieces and is now a wall decoration. I replaced it with your one-piece Swamp Ash solid body and it just SINGS!
  • @Sperzel
    I think your point at around 10:00 about acoustic tone vs amplified tone is spot on. Unless you’re playing with closed headphones or at really loud levels the acoustic sound will influence what you hear.
  • Thanks so much for these tests! Another great one! C definitely had more core and focus than A and a whole lot more than the thin line. It is true that in the end you could just favor a thicker sounding amp and/or speaker and/or pickup. In the end each element is just another mild eq. it's not an accident that a lot of semi hollow bodies have humbuckers instead of single coils. For me a relatively light solid body is still the best compromise. Also you could use a softer wood like mahogany to tame the high frequencies a bit on a thin line.
  • @evankolpack
    The solidbody sounded more defined, tight, thumpy bass, clear ringing notes and string definition. The thinline sounded warmer, flatter, more "jazzy", less tight. I thought I was going to prefer the thinline, but ended up being the exact opposite on every test. THANK YOU for taking the time to make this. I came out to your shop in Puyallup about 30 years ago and bought a B-stock neck for a strat I built when I was 14 years old. That thing is still my #1 guitar....never finished the neck (despite your warnings) and it's been rock solid! Pau ferro on maple. You guys rock!
  • @sunn_bass
    Nice comparison. I couldn't tell any significant tonal difference between the 3 except a very slight difference in the clean middle position for the thinline. Might be more of a slight difference in playing than the body. I notice that when I play, how the body feels, the weight and shape all tend to affect how I play the guitar. This for me has more impact on my sound than the wood, at least for me. Great video as always.
  • I think the difference is noticeable when clean, but throw in some pedals and it's almost imperceptible. All sound good, but in every one of your videos comparing different bodies, after listening through fully blind it always turns out that my favorite was the chambered. This was very educational, thank you!
  • @geoboggs3897
    I was just talking to a friend about T bodies. Mine (solid) is sooo heavy. Now thinking the thinline is the way to go. Thanks for all yoir effort.
  • @zippy61
    Great job with this. Solid info with real world examples in the demo section. I agree fully with your assessments. Thanks for all the work you put into this.
  • Great video Aaron. I'd suggest another topic: hardtail Strat x decked Vibrato bridge Strat x Floating Vibrato Strat. (all from the same piece of lumber, same pickups, etc etc). I always wanted to hear how much of a difference (if any) the back cavity and springs make.
  • Agree with your observations 💯 And to my ears the C had a minuscule bit more snap than A & B