"Sixteen Going On Seventeen" Andrew Keenan-Bolger, Jay Armstrong Johnson - Broadway Backwards 2017
4,342,986
Published 2017-03-17
Broadway Backwards, the annual Broadway extravaganza celebrating the LGBTQ+ community through the great songs of musical theater, returns to Broadway’s New Amsterdam Theatre on Monday, March 13, 2023. The beloved evening and its star-studded cast will embrace love and self-expression in true Broadway fashion.
www.broadwaycares.org/pre-event/broadway-backwards…
“Sixteen Going on Seventeen”
Choreographed by Robert Bartley and Adam Roberts
Orchestration by Will Curry
Conducted by Robert Billig
The 12th Annual Broadway Backwards on March, 13, 2017, where men sing songs intended for women and vice versa without changing pronouns, shattered fundraising records, bringing in an impressive $522,870 to benefit Broadway Cares/Equity Fights AIDS and The Lesbian, Gay, Bisexual & Transgender Community Center in New York City.
Broadway Backwards creator Robert Bartley wrote and directed this year’s show. It featured choreography by Bartley, Penny Ayn Maas, Christopher Rice and Adam Roberts. Mary-Mitchell Campbell served as music supervisor and Laura Bergquist was music director. The creative team included lighting designer Carolyn Wong, costume designers Jess Gersz and Vanessa Leuck and sound designer Matthew Kraus. The production stage managers were Kaleigh Bernier and Rachael Gass.
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Broadway Cares/Equity Fights AIDS is one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. By drawing upon the talents, resources and generosity of the American theater community, since 1988 Broadway Cares/Equity Fights AIDS has raised more than $300 million for essential services for people with HIV/AIDS, COVID-19 and other critical illnesses across the United States.
Broadway Cares/Equity Fights AIDS is the major supporter of the social service programs at the Entertainment Community Fund (formerly The Actors Fund), including the HIV/AIDS Initiative, the Phyllis Newman Women’s Health Initiative and The Friedman Health Center for the Performing Arts. Broadway Cares also awards annual grants to more than 450 AIDS and family service organizations in all 50 states, Puerto Rico and Washington, D.C., providing lifesaving medication, healthy meals, counseling and emergency assistance.
For more information, please visit Broadway Cares online at broadwaycares.org, at facebook.com/BCEFA, at instagram.com/BCEFA, at tiktok.com/@bcefa and at youtube.com/BCEFA.
All Comments (21)
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"Syke bitch I'm goin to the club." I DIED
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"Your life, little girl.." "boy" "Sure."
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This is why I have unrealistically high expectations in guys.
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When he just jumps to be intimidating, I felt that as a short person
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"Little girl-" "Boy!" "Sure."
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he is sixteen going on thirty-two
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Me:*sees video title* Me:*sees thumbnail* Me:looks gay Me:*clicks on video
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“Sike I’m going to the club” is such a mood Also if my first kiss isn’t that dramatic I’m going to mutiny
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THE DAB AND THE SQUEEL AND THE "SIKE BITCH GOING TO THE CLUB" IT WAS ALL SO PERFECT BLESS ANDREW
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"Little girl" "Boy" "sure.."
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“Your life little girl-“ “Boy*” “-sUrE- Is an empty page, that men will want to write on...” “*exaggerated girl like voice* tO wRiTe On....”
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“siKe biTcH i’M gOinG tO thE cLub”
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The timing of this choreography is actually so impressive
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It physically hurt when he dabbed But he's cute I'll allow it
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Straight people with a one year age gap: we’re basically the same age Gay people with a one year age gap:
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If the sound of music gets remade: 1) Julie Andrews better have some role 2) there better be a gay subplot
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He. Dabbed. On. Broadway.
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Wow I missed this episode of Sherlock
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'"Your life little girl" "boy" "sure"' is the eternal unsupported ftm mood
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Why is nobody talking about that pelvic thrust