Rodgers & Hammerstein's Cinderella (1957, Kinescope) - Julie Andrews, Jon Cypher, Edie Adams

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Published 2019-06-22
This is a BLACK and WHITE kinescope record of the rehearsal of Cinderella.

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Magical Find Excites TV Historians; 'Cinderella' Film Reflects An Emerging Medium
By ROBIN POGREBIN JUNE 20, 2002

The tape is grainy, black-and-white and primitive. The special effects are merely sparklers, used when the Fairy Godmother turns the pumpkin into a stagecoach and gives Cinderella an elegant cape for the ball.
Nevertheless, this artifact is a piece of entertainment history that had been given up for lost: the first dress rehearsal of the CBS television musical ''Cinderella,'' featuring Julie Andrews, recorded on kinescope in Manhattan on March 17, 1957.
The final production, broadcast live two weeks later, was the only one written by Rodgers and Hammerstein expressly for television, and it was an enormous success for CBS, drawing 107 million viewers compared with the 65 million who watched ''Peter Pan'' on NBC two years earlier. [...]
In an article about ''Cinderella,'' TV Guide wrote, ''The viewer will thus have an opportunity to watch free of charge what most theatergoers would eagerly have paid many dollars to see on Broadway.''
[...]
Though critics were not thrilled with the ''Cinderella'' book or the production, they raved about the score and Ms. Andrews.
The broadcast helped make Ms. Andrews, then 21, a national star; performing in ''My Fair Lady'' on Broadway at the time, she won an Emmy for the Cinderella role. While the kinescope is in black-and-white, the show was broadcast in color for the few who had it in 1957.
Instead of being discarded, as people assumed, the rehearsal film survived and was discovered in February in the CBS tape archive in Hollywood. It had not been viewed for 45 years. The tape shows a complete rehearsal without breaks.
[...]
Perhaps the most detailed account of the making of ''Cinderella'' is a master's degree thesis by Harold Messing, who became a theatrical lawyer and died in 1993. For his thesis, submitted in August 1957 at Stanford University, Messing was given access to every step of the musical's development and wrote about the rehearsal tape. ''The performance was called the 'New Haven Opening,' and was meant to be the television equivalent of an out-of-town pre-Broadway opening in the legitimate theater,'' he wrote. ''This run-through was to simulate, as closely as possible, the final telecast.''
So that improvements could be made to the final performance, the rehearsal film was studied by Ralph Nelson, the director; Richard Lewine, the producer; Rodgers, who wrote the music; Hammerstein, who wrote the book and lyrics; and members of the technical team. [...]
The rehearsal film was not shown to cast members. ''Ralph Nelson feared that should the cast be allowed to view themselves, self-criticism might prevail,'' Messing wrote, ''and the performers would possibly appear to be self-conscious about certain movement or might try to 'correct' certain aspects of their performance, which Mr. Nelson felt needed no correction.''
The TV Guide article quoted [...] Hammerstein: ''If we found that something didn't fit we cut it out or doctored it.''
Rodgers: ''That's what's called running scared.''
After scrutinizing the rehearsal film and two later ones, the creators made several major changes. For example, [...]. They substituted the ruffled coat that the Fairy Godmother bestows on Cinderella for the ball with a shinier satin one and allowed Edie Adams (the Fairy Godmother) to wear her own hair rather than a stiff wig. ''The wig was bothering me,'' Ms. Adams said in an interview, noting that she still has the wig intact.
[...]
Other notes, [...], included a critique of the performances: Ms. Andrews and Howard Lindsay, as the King, ''were both using theater technique, [...]. ''Theater technique must be replaced by television technique.''
''Cinderella should show more regret in singing 'Impossible.' ''
''Cinderella must not look at her Godmother during the sparkler effect.''
''Dust should be added to the costume of the Fairy Godmother in order to make her dress appear to be 850 years old.'' [...]
CBS went after Rodgers and Hammerstein, Broadway's premier writing team. CBS was ''determined to do anything they possibly could to make this thing good,'' Mr. Chapin said. [...]
Ms. Adams said it was a challenge to make a small stage seem large and to manage the traffic of dancers and the quick costume changes in cramped quarters. The show had 56 actors, 115 costumes and a 33-piece orchestra. [...]
''To put this on was a big, big deal,'' Ms. Adams said. ''And to bring it into everyone's living room was very, very strange.'' [...]
Pepsi-Cola, a sponsor, included five million four-page comic books in cartons of Pepsi sold in the weeks before the broadcast. [...].
[...] At one point, Ms. Adams recalled, Rodgers blew his whistle and said, ''The second boy on the left in the chorus, you're singing an A flat.''
[...]

NYT
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All Comments (21)
  • @ladychips
    I'm just happy to be alive in a time where I can see Julie Andrews movies and plays and knowing she's still alive
  • @mynewyork165
    "Do I love you because you're beautiful? Or are you beautiful because I love you?" Words of wisdom from Rodgers & Hammerstein.
  • @lisahall9226
    I love how the Prince holds her glass shoe to his cheek! Why can't entertainment be this pure and sweet today?
  • @jocelynngh4393
    I'm a simple person. I see Julie Andrews, I click. I like.
  • @atreyuh3786
    Julie Andrews: Practically perfect in every way.
  • @ckilbarger01
    People don't believe me when I say Julie Andrews was the original Cinderella. I'm glad this is here ❤️
  • @feralbluee
    OMG - my Dad ! (2:20) he was really good! he played Tevya all over the place in summer stock and such. he looks so good here. He was in many Broadway shows. Rogers and Hammerstein liked him a lot! :) 🎭
  • The last time I saw my grandma before she died, she told me about this time when my dad was little and had just seen this film on TV. He's been misbehaving, and so she made him go sit in a corner to think about what he'd done. So he went and sat in a chair, and started giggling. Grandma asked him what he was laughing about, and he got this devlish look on his face and sang, "In my own little corner, in my own little chair..." :D
  • @amiblueful
    I grew up on the Leslie Ann Warren version of Cinderella. But there is just something so special about Julie Andrews.
  • @MTknitter22
    Dame Julie Andrews, her elocution and graceful manners have always seemed what even royals should aspire to. Read her autobiography and you will love her even more. As classy and dignified as she is, there is not a drop of pretentiousness in her. That is rare.
  • I’m almost 70 and never knew this existed! Love Julie Andrews! Rogers and Hammerstein was epic! So happy I found this.
  • Fun Fact I heard somewhere about this version: The actor who played the king was told it was a comedy and so played his part with humor, while the Prince was told it was a serious romance and so played his role straight.
  • @mlr4524
    The stepsisters - comediennes Kaye Ballard and Alice Ghostley - are a riot.
  • Absolutely lovely! Thank you to all who made this viewing possible in 2021. Julie Andrews is a National Treasure.
  • @82starchild
    At the beginning of the wedding scene I unexpectedly started humming How Do You Solve a Problem Like Maria
  • @billgucci8378
    What a mammoth undertaking for live TV in 1957. I counted at least four set pieces and possible as many as six camera (two on booms). The very few breaks for commercials gave Julie only 60 seconds for wardrobe changes. One wardrobe change occurred 'in-vivo' during the live broadcast. AMAZING! The dazzle effect was an overlay exposure of a filmed Sparkler I think, brilliant for 1957.
  • @annekopke8635
    Hard to believe, but I actually remember seeing this on tv in 1957. Later that year, I sang "In my own little corner" in a school talent show. Wow, so long ago!
  • @kelleykdavisify
    OHMYGOODNESS! I've always loved the Rodgers and Hammerstein version but only knew of the Leslie Ann Warren in the title role. To hear Julie Andrews sing in this in absolutely wonderful. Thank you for sharing, you've made a sixty year old man cry. Julie Andrews has always been my favorite female vocalist of all time and to see her star in this after so many years is so satisfying. The only thing I would add is I pray for her that Jesus touches her life, not only her, but all who read this.
  • I ran across this yesterday and have now watched it twice. I had no idea the Cinderella movie with Whitney Houston was based on this movie and not the Disney movie...I was actually able to sing along to these songs! How refreshing to know that this movie hasn't faded into obscurity!